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Premiere Pro multicam podcast editing

Automatic multicam editing in Premiere Pro

WizCut cuts between speakers, switches camera angles, and keeps the whole edit inside your Premiere Pro timeline. Built for video podcasts, interviews, and roundtables.

Works inside Premiere Pro7-day free trialBuilt for 2-camera and multicam podcasts

A multicam timeline, cut automatically inside Premiere Pro.

Why it helps

Stop doing the robotic part by hand

The value is not magic. It is removing the repetitive pass where you sit in Premiere clicking between speakers for an hour.

Review cuts instead of making every cut

WizCut gives you a multicam edit to review. That is a much better starting point than a blank timeline.

Keep your Premiere Pro workflow

No need to move the episode into another editor. Stay in Premiere and keep using the tools you already know.

Better fit for recurring shows

The more often you edit interviews, podcasts, and talk-heavy episodes, the more time this saves.

Workflow

What the edit actually looks like

This is not a black-box export. You set up the multicam sequence, map speakers once, and let WizCut build the first cut in your timeline.

Premiere Pro timeline before WizCut edits are applied

Start with your multicam timeline

Bring in your audio and multicam sequence. No export, XML round-trip, or separate editor.

WizCut speaker mapping interface

Map speakers once

Name each speaker and tell WizCut which camera they appear on.

Premiere Pro multicam timeline edited automatically by WizCut

Let WizCut cut the episode

WizCut listens for speaker changes and creates camera cuts automatically inside the multicam edit.

Premiere Pro timeline with speaker placeholders and markers

Keep visual guides if you want

Use markers and placeholder tracks when you want extra context for pacing and cleanup.

Comparison

Manual multicam vs WizCut

This page is not claiming that editing disappears. It is claiming that the first pass gets much faster.

First pass

Manual

Watch, stop, cut, switch angle, repeat for the whole episode.

With WizCut

Map speakers once, let WizCut build the multicam cut, then review the result.

What you spend time on

Manual

Mechanical camera switching and cleanup.

With WizCut

Timing, storytelling, and the few cuts you actually want to change.

Best fit

Manual

One-off edits or projects where manual switching is still fine.

With WizCut

Recurring podcasts, interviews, and talk-heavy shows edited in Premiere Pro.

Good fit

WizCut is a strong fit if you edit:

  • 2-camera and 3-camera video podcasts
  • Interviews, roundtables, and speaker-led YouTube shows
  • Episodes that already live inside a Premiere Pro workflow

Less ideal

It is a weaker fit if:

  • Your angles are not synced or the source setup is messy
  • The edit depends on constant manual creative switching
  • You are not editing in Premiere Pro

FAQ

Questions people usually ask

The short version: you still control the edit. WizCut just gives you a much better starting point.

Do I need a multicam sequence first?

Yes. WizCut works with a Premiere Pro multicam setup. If you need help with that part, use the setup guide linked on this page.

Does this work for 2-camera podcasts?

Yes. Two-camera podcasts are one of the clearest use cases. It also works for larger multicam setups.

Can I still tweak the cuts manually?

Absolutely. The result is still your Premiere Pro timeline, so you can change angles, trim cuts, and clean things up however you like.

Do I need separate audio tracks for each speaker?

Not necessarily. WizCut can work with one or multiple audio tracks, as long as the sequence is set up correctly.

Try it on a real episode

See what your next multicam edit feels like with a head start

Start with the free trial, or read the step-by-step guide if you want to understand the setup first.